The Aleph is a symbol of infinity and omniscience. Described as “a small iridescent sphere of almost unbearable brightness” (129), the Aleph frees viewers from the limits of their perception by allowing them to see all of space from every angle at once. While the namesake item is not introduced until late in the story, its impact on the narrative exists throughout. The Aleph was the initial muse to Argentino, reveals the powerful truth about Borges’s beloved Beatriz, and gives important insight into the infinity of space and the eternity of time. Ultimately, it is a source of disappointment. It reveals to Borges that Argentino was a rival for Beatriz’s affection. The knowledge it offers is unwanted. Furthermore, perfect knowledge of the present does nothing to prevent the memory of Beatriz from fading. Perhaps to quell his despondency, the narrator expresses doubts about the Aleph, stating, “Incredible as it may seem, I believe that there is (or was) another Aleph; I believe that the Aleph of Calle Garay was a false Aleph” (132).