In The Colossus of New York, Whitehead explores how individual perceptions shape the reality of urban life, portraying New York City not as a singular entity, but rather as a tapestry of countless personal narratives and interpretations.

The subjective nature of urban experience is evident in Whitehead’s portrayal of personal landmarks and memories. He writes, “Cherish your old apartments, and pause for a moment when you pass them. Pay tribute, for they are the caretakers of your reinventions” (8). This statement highlights how individuals imbue physical spaces with personal significance, creating a unique emotional geography of the city. Each resident’s New York is shaped by their own experiences, transforming ordinary buildings and streets into repositories of memory and identity. These personal landmarks often hold more emotional weight than official monuments, illustrating how the city exists not just as a physical entity but as a collection of individual narratives and associations.

Whitehead’s exploration extends to the way in which individuals create their own mental landscapes of the city over time. He observes, “Your favorite newsstands, restaurants, movie theaters, subway stations and barber-shops are replaced by your next neighborhood’s favorites. It gets to be quite a sum. Before you know it, you have your own personal skyline” (5).